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Plachte-Zuieback Art Glass

1445 Carlos Ct
Santa Rosa, CA, 95409
7073542022
designers and fabricators of stained glass windows for synagogues

designers and fabricators of stained glass windows for synagogues

Plachte-Zuieback Art Glass

  • Our Work
  • Our Process
  • About Us
  • Store
  • Blog
  • Contact Us
 The gold leaf being burnished onto the glass.

Gold Leaf

Sometimes, gold leaf adds a special touch to a project. Applied selectively the gold leaf reflects light in low light conditions adding contrast and emphasis. Michelle is our specialist in gold leaf.

Gold leafing is the process of applying a very thin layer of gold foil to a surface, in this case, glass, using a specialized adhesive. First, the piece of glass to be gold-leafed is covered with a resist and the exact shape of what will be gold leafed is cut out of the resist.  After cutting the resist away, Michelle applies black low fire enamel paint to the exposed glass and lets in dry thoroughly. The remaining resist is removed and the glass is fired in the kiln to a1285 degrees F

After cooling, the glass is covered with resist again and cut away to reveal the painted surfaces. Adhesive is applied to the exposed glass and the gold foil is burnished onto the adhesive, smoothly. Finally, after drying, the remaining resist is removed and the gold leaf touched-up.

Gold Leaf

Sometimes, gold leaf adds a special touch to a project. Applied selectively the gold leaf reflects light in low light conditions adding contrast and emphasis. Michelle is our specialist in gold leaf.

Gold leafing is the process of applying a very thin layer of gold foil to a surface, in this case, glass, using a specialized adhesive. First, the piece of glass to be gold-leafed is covered with a resist and the exact shape of what will be gold leafed is cut out of the resist.  After cutting the resist away, Michelle applies black low fire enamel paint to the exposed glass and lets in dry thoroughly. The remaining resist is removed and the glass is fired in the kiln to a1285 degrees F

After cooling, the glass is covered with resist again and cut away to reveal the painted surfaces. Adhesive is applied to the exposed glass and the gold foil is burnished onto the adhesive, smoothly. Finally, after drying, the remaining resist is removed and the gold leaf touched-up.

 The gold leaf being burnished onto the glass.

The gold leaf being burnished onto the glass.

 The finished gold leaf stands out on the surface of an ark door panel.

The finished gold leaf stands out on the surface of an ark door panel.

 Michelle trims the gold leaf.

Michelle trims the gold leaf.

michellegoldleaf3.jpg
 Finished gold leaf.

Finished gold leaf.

 The gold leaf on a pair of completed ark doors.

The gold leaf on a pair of completed ark doors.